You knew me in Paris. But I do not even care if I am absurd. Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth. What a fool I was to separate the two in my mind. He bore it as long as he could, watching all the time with fascinated eyes Annabel moving gracefully about amongst her guests, always gay, with a smile and a whisper for nearly everybody.
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