The youth with his hair like Russell cleared his throat and said rather irrelevantly that he knew a man who knew Thomas Bayard Simmons, who had rioted in the Strangers’ Gallery, and then Capes, finding them all distinctly pro-Ann Veronica, if not profeminist, ventured to be perverse, and started a vein of speculation upon the Scotchman’s idea—that there were still hopes of women evolving into something higher. Capes came back into her mind. Ramage pursed his rather loose lips and shrugged his shoulders, with his eyes fixed steadily upon her. Her ideas of women’s employment and a modern woman’s pose in life were based largely on the figure of Vivie Warren in Mrs. The fire—if there was any in him—never made headway against this insistant demand to know the significance of these manifold inward agitations.
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