“Suppose, for example, I go to this dance?” “You won’t. . ’ ‘But it is a very good English name,’ she protested. Anna herself opened the hall door. ‘You would like? And do you imagine that I will tell you?’ ‘Won’t you?’ ‘No, a thousand times. All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her.
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