She found herself mildly entertained by staring at the houses through the rain as she walked home, all cast in a gray blurry film noir gauze of rain. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. “Let me hasten,” she said, “to reassure you. There was nothing on her face to hint of the misery that brimmed her heart this morning. I could not become an Oracle. Kneebone began to dispense the fragrant fluid; begging Mrs. After all, it was what she had been praying for—and Annabel could not have known her address. “To my chagrin, I have. Then came the shock of the knowledge that soon he would be going upon his way, that there would be no one to depend upon her; and all the old loneliness came smothering down upon her again. The hymnal lyrics had never stirred her; she had memorized and sung them parrotwise.
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