He was continually dramatizing the future, anticipating the singular role he had elected to play. It was from Brendon. His eyes squeezed shut in ecstasy; he let out a sigh. "Shall I never banish those horrible phantoms from my couch—the father with his bleeding breast and dripping hair!—the mother with her wringing hands and looks of vengeance and reproach!—And must another be added to their number—their son! Horror!—let me be spared this new crime! And yet the gibbet—my name tarnished—my escutcheon blotted by the hangman!—No, I cannot submit to that. "Think of me forgetting ten thousand so quickly!" "Go to, you old fraud! You'll never fool me again. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. “As it is doubtful whether the man will live, we should be glad if you would identify him. “If I were to marry now,” she said, “it would be with a sense of humiliation. Besides," he added cynically, "it is said that God watches over fools and drunken men. I am used, you understand, to guard my secret.
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