"Ruth?" "Hoddy!" she cried. “For one thing, Anna,” she remarked, “we had not the slightest idea that you had left, or were leaving Paris. Again silence. “Oh God!” she cried, “Oh God!” and flung aside her opera-cloak, and for a time walked about the room—a Corsair’s bride at a crisis of emotion. She responded as he slipped his hands under her sweater. Bullding repeated, rather struck with the phrase. It is for that reason that this novel begins with her there, and neither earlier nor later, for it is the history of this crisis and its consequences that this novel has to tell. “I wonder if they will seem altered,” she remarked for the third time.
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