“You know nothing about the stage. What a fool I was to separate the two in my mind. Then he turned to Anna. He has a grand time. I'm no mollycoddle. It was now whitening, hissing, and seething like an enormous cauldron. Fell to sin, did Martha. All the influences about her worked with her own predisposition and against all the traditions of her home and upbringing to deal with the facts of life in an unabashed manner. Bulging out more in the middle than at the two extremities, it resembled an enormous cask set on its end, —a sort of Heidelberg tun on a large scale,—and this resemblance was increased by the small circular aperture—it hardly deserved to be called a door—pierced, like the bung-hole of a barrell, through the side of the structure, at some distance from the ground, and approached by a flight of wooden steps.
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